Flemish Northern Renaissance Painter, ca.1485-1540  Related Paintings of CLEVE, Joos van :. | Virgin and Child vfhg | The Holy Family fdg | The communion | Portrait of Eleonora, Queen of France fdg | Portrait of a Man and Woman dfg |
Related Artists:
franz schubert
Period: Romantic (1820-1869) Country: Austria Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Genres: Chamber Music, Choral Music, Concerto, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music, Symphony, Vocal Music
John Haberle
(1856-1933) was a 19th-century American painter in the trompe l'oeil (literally, "fool the eye") style. His still lifes of ordinary objects are painted in such a way that the painting can be mistaken for the objects themselves. He is considered one of the three major figuresetogether with William Harnett and John F. Petoepracticing this form of still life painting in the United States in the last quarter of the 19th century. Haberle was born in New Haven, Connecticut; his parents were Swiss immigrants. At the age of 14 he left school to apprentice with an engraver. He also worked for many years as an exhibit preparator for the Peabody Museum of Natural History at Yale University. His career as a painter began in 1887. His style is characterized by a meticulous rendering of two-dimensional objects. He is especially noted for his depictions of paper objects, including currency. Art historian Alfred Frankenstein has contrasted Haberle's work with that of his contemporaries: Peto is moved by the pathos of used-up things. Haberle is wry and wacky, full of bravado, self-congratulating virtuosity, and sly flamboyance. He works largely within an old tradition, that of the trompe l'oeil still life in painted line ... It is poles away from Harnett's sumptuosity, careful balances, and well-modeled volumes, and is equally far from Peto's sensitivity in matters of tone and hue. A Bachelor's Drawer (1890-94) is typical of his approach: various papers, including currency, postage stamps, photos, playing cards, tickets, and newspaper clippings, are shown affixed to an essentially planar surface. Other objectseeyeglasses, a comb, a pipe, matches, and so oneare shallow enough in volume so as not to spoil the illusion. Like Harnett, he was warned by the Secret Service to cease and desist painting paper money, but he continued to do so throughout his years of greatest productivity; examples include The Changes of Time (1888) and Can You Break a Five? (c. 1885). He painted other subjects such as Slate (c. 1895), a bin of peanuts in Fresh Roasted (1887), The Clay Pipe (1889), and the huge Grandma's Hearthstone (1890), in the collection of the Detroit Institute of Arts. By the turn of the century, problems with his eyes diminished Haberle's activity as an artist. Among his later works are paintings of flowers executed in a looser style, and in 1909 he painted his final trompe l'oeil, the large Night, in the collection of the New Britain Museum of American Art, New Britain, Connecticut. Haberle died in 1933.
William Dexter
Australian, 1818-1860,was an English-Australian painter. Dexter was born at Melbourne, Derbyshire, England, and became an apprentice at the Derby China factory painting flowers and birds in the Chinese and Japanese styles. Dexter then studied at Paris, and returning to England, married Caroline nee Harper at Nottingham in 1843. Dexter had a picture in the Royal Academy exhibition in 1851 and another in 1852. Dexter then sailed to Australia and arrived at Sydney on 8 October 1852. Dexter was at Bendigo in August 1853, where William Howitt heard him advocating republican doctrines at a meeting of diggers. His wife came out from England at the end of 1854, and in March 1855 they together opened a gallery of arts and school of design in Bathurst Street, Sydney. This apparently was not a success for they went to live at Stratford, Victoria, in 1856, and there made the acquaintance of Angus McMillan. In 1857 Dexter exhibited six oils and three watercolours at the first Victorian Society of Fine Arts exhibition, held in Melbourne. Soon afterwards he returned to Sydney as the Dexters had separated. He became a partner in a sign-writing business, dying there in 1860.